A alarming report from Concerned Women for America reveals that over 40 percent of Netflix’s children’s programming—specifically G-rated and TV-Y7-rated shows—pushes LGBT content, including explicit depictions of homosexual relationships, transgender characters, and non-binary identities. This infiltration of radical ideologies into content meant for young, impressionable minds underscores a deliberate agenda to undermine traditional family values and normalize behaviors that contradict biblical and moral teachings.
Far from innocent entertainment, these shows serve as tools for cultural engineering, exposing children to concepts that parents should introduce on their own terms, if at all. The trend is escalating rapidly: In 2021, 42 percent of new Netflix children’s shows incorporated LGBT themes, surging to a shocking 60 percent by 2023. Netflix dramatically increased its queer characters starting in 2019, with acceleration post-2021, coinciding with a rise in Gen Z’s self-identification as LGBT from about 11 percent in 2017 to over 20 percent today—double the rate of the general population.
This correlation suggests that pervasive media exposure is not just reflecting society but actively reshaping it, steering vulnerable youth away from natural gender roles and heterosexual norms toward confusion and experimentation. Conservatives have long warned that entertainment executives view children’s media as a battlefield for ideological conquest. As evidenced by a Disney producer’s admission of a “not-at-all-secret gay agenda,” creators are intentionally crafting stories to transform cultural norms rather than merely entertain. Children, being highly mimetic, absorb and internalize these messages through repeated viewing, which normalizes deviance and erodes foundational values like marriage between one man and one woman.
Historical precedents, such as how “Will & Grace” shifted public attitudes on homosexuality, highlight the powerful role of TV in moral decay. Specific Netflix offenders include “The Baby-Sitters Club,” “She-Ra and the Princesses of Power,” “The Mitchells vs. the Machines,” “Kipo and the Age of Wonderbeasts,” “Nimona,” “First Kill,” “CoComelon Lane” (with two gay dads), “Anne with an E,” and even preschool fare like “Ridley Jones,” featuring non-binary characters and same-sex parents. Parents must vigilantly protect their families by boycotting such platforms and seeking wholesome alternatives that reinforce virtue, faith, and traditional principles, lest we lose the next generation to this insidious propaganda.
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